Yamaha
XS2 650cc
Motorcyclist
Illustrated October 1972
It was the same
old ride, one I had done so many times before.
No - I didn't know every stick and stone of
it - it still retained some small, pleasing
revelations for me. Its full 113 miles were
yet to become familiar to the point of contempt,
but I knew the gist of the thing - some of the
more goose pimply straights that tapered and
flung themselves into the distance, down to
a needle point between the Hansel and Gre-tel
menace of the dark pine trees on either side
of the blond tarmac, some of the serpentine
sweeps and curves arcing their way over the
countryside, neatly sidestepping the cornfields
which, when last passed had been green and pregnant
with goodness, but were now gently rippling
with massive armies of ripe grain wands.
By a meteorological process of deepest mystery
the weather was never other than pleasantly
twixt and between extremes - never scorching,
yet never chilling, always just right. It could
be forgotten, and that part of the mind
usually taken up with a native caution
of road conditions left clear to deal with the
more important matters of life. The most
important matter in life had dawned on me quite
slowly, almost without my realising it. I had
been concentrating on the 'bike. I didn't
altogether like it, and everything I had heard
of the machine prior to testing it had done
nothing to quell the doubts I had. But, in the
words of all euphemistic reports, it was a big,
lusty 650 twin. Bags of guts and all that. Though
the roadhold-ing was hardly the thing the admen
were going to dwell on, it did have one or two
niceties about it, and I was determined to enjoy
those to the full. Little things like a rather
magnificent disc brake and a torque curve that
made one stop weeping over the demise of the
Square Four. The thing had been harmlessly twaddled
about town for some twelve or fourteen days
without any complaint, but the feeling that
there was much more to the 'bike than mere townability
nagged at me. So I was tramping on, if not at
my maximum ability, then- amid a nonchalant
shrug and a glint of fly specked teeth –
quite near it. Let the critics sneer and the
sceptics scoff, I was enjoying myself.
The run, then was familiar. The Norwich run.
The north of London had released its grimy,
grumpy grip on the traffic, and spewed it out
onto the A1/M1. Save for the growling obstinacy
of occasional and fiercely overloaded artics,
it was only a smattering of family saloons that
stood between me and the beginning of motorcycling
country - the Royston-Baldock turn off. Little
things in life are often the most pleasing (and
the most surprising). Like the fiver in that
tattered old coat pocket before the garment
is finally laid to rest on the next Guy Fawkes
pyromatics or the forgotten can of beer
in the hitherto desolate freezer, icy sharp
and totally provocative. And at the turn off
another warming little discovery; I had
been going rather fast and was well ahead of
my previous best time. Until this time it had
been an unpretentious after-noon's trot. It
now rapidly developed into a helter skelter
headlong rush against the clock: every minute
wasted was damned horribly, every one gained
gloated over. And you can immediately stifle
any wandering interest in the resultant ET to
Norwich. A man's got to have some circumspection.
It was a very personal game of silly so-and-sos,
which had been inflamed by the boasts of a lifelong
friend whose claims to this run, if not completely
outrageous, then at least erred to the side
of the suspect.
The machine that sat aquiver beneath me was
none other than the latest Yamaha four-stroke
six and a halfer - the XS-2. It had behaved
well enough, but now, nearing a well earned
retirement from the merciless hurly burly of
Press usage, it was getting a little tired.
Only a little mind - small, relatively unimportant
things showed up like a slightly increased oil
consumption, a fraction longer to reach top
speed, the odd oil seep. But the engine's essential
attraction hadn't been daunted at all - a slogging,
tireless torque that charmed its way throughout
the entire rev band, never lost, always at your
beck and call. Yes - the torque compensated
for a lot. Weeks before I had been offered (without
broad hints or pleading looks) by the ever obliging
Sondel Sport the earlier XS-1 Yam, the one without
electric starting and carrying a conventional
tls on the front. The power characteristics,
though, had been the same. So had the noise
- a flat raucous, droning blast. Loud to the
point of embarrassment, but appealing to
many people. Not to me, though. The continually
swivelling heads on the pavement, the unremitting
attention of gentlemen constabulary, the
fares in the taxi beside me at the lights, yelling
to themselves in a blue hoarseness, all
finally tugged at my well subjugated better
half. Comical phrases revolving around the theme
of "the image of the sport" circled
my mind and, inevitably knocked it off. But
by that time I had rediscovered the enchantment
of chugging around dappled country lanes,
the revmeter never rising above 2000, ,
a blissful 30 or so miles treading their docile
way under my wheels every hour. The sound, I
thought, put motorcycling back fifteen,
twenty years (in the nicest possible way, naturally)
to the soft, off-beat throb of certain
mild V twins. A bang every lamp-post? Well -
almost. Whatever it was, it was poetry
to my sullied ears.
The XS-2 is really very little different from
the earlier model, as I soon found out. The
glaring changes that all and sundry can pounce
on gleefully are the electric starter,
whose load is lightened by the expedient
of a valve lifter, and which is operated by
a rather natty trigger device sitting coyly
under the throttle grip, and a disc brake. To
merely say "and a disc brake" is to
dismiss the thing with the most outrageous simplicity
for the inescapable fact is that Yamaha have
come up with a quite superb stopper. The disc
is large by most standards, 11.7 inches and
though of utter inconsequence to its retardation
capabilities, aesthetically pleasing thank
you very much to look at. The caliper
bearing, the anything-but-incon-spicuous Yamaha
motif, snucksin snugly onto the leading edge
of the right hand slider. Now, the factory have
overcome the least attractive, aspect that I
have always found on single discs - the heavy
leaden feeling after the pads hit the disc.
Brick wall type of thing. By dire contrast the
Yamaha's had a complete sense of "feel"
and the overused word to describe the quality
of sensitivity. Lever pressure is at a minimum
for the full range of required retardation.
And, believe me, the full range is there. Anything
from the gentlest decrease in velocity to panic
stricken, lookout-next-world-'cause-I-think-l'm-on-my-way,
gut-wrenching stops. Indeed a far, far higher
voice would have been mine for the asking had
not the Yamaha disc intervened between the 'bike
and a double dealing, twisting, monstrously
driven van. So, it's absolutely dependable and,
save for the Dunstall twin 9 inch set up, the
easiest and most effective disc I've personally
experienced.
The impression that the machine first leaves
on your eyes is that the styling department
had been told to bust their britches for immediate
appeal. The outcome is the unkind and unjust
complacent Jittle judgement that the thing had
been styled for the eye rather than for the
road. And this is unkind. The main offender
is the tank - a long, narrow, tapering creature
in which slops a mere two and a half gallons.
An apologetic two and a half gallons. And at
the mysteriously hefty consumption figure
of approximately 34 miles per (everyone else
seems to have achieved the mid fifties) the
tank just isn't going to take you for more than
a quick cough and splutter. In fairness,
our consumption figures were gained under the
hardest driving, more often than not two
up, but I feel this still doesn't account for
such a deficiency. The outstanding virtue of
the tank lies in its great comfort. No one,
save a circus midget, is going to complain of
his knees being rudely torn akimbo by even the
fiercest three figure breeze. The bulk of the
tank has been further diminished by the clever
paint job: the central bright orange panel is
encircled by a broad, very broad, black outline.
Removes visual emphasis, and all that. Nevertheless,
it provided a very charming tie-up between the
headlamp, instrumentation, and handlebar mass
and, down diagonally, the side panels with
their heavily chromed curly bits. These were
the two focal points of the machine's looks,
excluding the massive and upright bulk of the
single ohc motor and the wide slab of front
brake.
To our minds, and for that matter many
others, the machine had been conceived to cater
for the vagaries of the American market, whose
peculiarities are to blame for so much that
is incongruous in motorcycling. Said offending
gas tank and the overall looks of the thing,
gave an overwrought imagination the idea
that perhaps the factory were half heartedly
hankering after an even more half hearted
chopper look. Well, while it was pretty, and
sure-as-hell flamboyant, never anything but
obvious, it seemed just a little out of place
on the British motorcycling scene.
Heads were scratched over the finish of the
Yamaha. It varied in differing parts so much.
Take the castings of the engine unit. The horizontally
split crankcases, in an anodised finish, and
the side cases of well polished alloy were immaculate,.Barrel
and head castings equally ditto. And then
take a peep at the welds on the frame -untidy,
slap and tickle stuff. Pretty brutal. The same
could be said of the welding on the mounting
lug of the silencer. One annoying characteristic
of design rather than finish was the tool box,
mounted with a conglomeration of electrics beneath
the hinged saddle. One of our meagre pleasures
in life is the continual cleaning of machines.
In the process of this they get very liberally
doused to get rid of the nameless product in
which you really should be soaking your dainty
fingertips. The result of this wetting on the
Yam was that the tool box \/->\/c t - and
to your great /UVhr surprise the tools were
flooded. It evidently hadn't just been MCI playing
free with the hose - there was already a serene
layer of rust on the thing. Petty and unimportant,
but as we said, irritating. So - finish wise
the XS-2 was rather a curate's egg.
Mitsui, the concessionaires, had shown great
consideration. Gone were the high wide and handsom-ers
to hold on to up at the front. These had been
changed for comparatively low and narrow
things which we held in great admiration (the
pun, please believe us, is unintentional).
Comfortable and giving all the manoeuvreability
in town, yet neat and concise when one got down
to motorcycling. The layout of the things to
twiddle, pull and tug was, as is becoming the
norm for Japanese machines, delightfully
logical. The clutch side of the affair did the
electrical honours -lights, dip, horn (a plaintiff
but penetrating cheep), and trafficator controls,
while at t'other end, in solitary splendour,
clung the three position (another Nip norm)
kill switch. One can say no more than that after
half an hour, manipulation of these various
creatures became instinctive. And that, after
all, is what it's all about.
To brew the painted lady into life first thing
in the morning was a matter of delightful simplicity.
Whether the petrol taps were left on over night
was irrelevant. Identical components were
situated on either side of the tank, though
it didn't really seem to matter if one or both
were used. Certainly no sign of starvation on
one carburettor when only a lone tap let
trickle its golden load. The choke lever, standing
to the outside of the left instrument, was used
on most occasions, but was not required after
the first minute or so of warming up. Then the
well practised deft flick of the between-instruments-mounted
ignition key, a tug on the trigger thing and
the motor would whine and grate with a painful
screech and almost instantly grumble the engine
into life. All the time there would be a sharp,
taut repetitive jerking on the trigger itself,
like the mammoth struggle of a denizen
of the deep on the end of a line. Let the thing
go too early and it would all recede amidst
a clank and rattle begrudgingly back whence
it came. With the burden on the star ter motor
lightened by the valve lifter it was seldom
if ever an arduous task to get the Yam
going. A good idea, in fact.
Pushing down into the first gear of the day
sometimes produced a slight gasp forward, but
not often. From then on the unit would quickly
warm to its task and was everything that one
could wish from a large vertical twin.
With one exception.
From the morrient thetfingine blared into shouting
life you felt the vibration. All over, thqugh
mostly through 'bars and seat. At tickover -
a judder of around 1000 rpm - it was merely
a series of wallops, not so massive as a Commando's,
but still quite hefty. Then, as the pulse quickened
to around 4000 which was really all one needed
for town use, perhaps less even, the world would
begin to blur. Like many riders, I had suspected
that the inspired phrase "vision fuzzing
vibration" was merely a little, funny ha
ha bit of poetic licence. Believe me - it ain't.
Without a shadow of exaggeration there
were occasions, without loss of spectacles or
sobriety, when the world was a double world,
distinct lines and definition all gone haywire.
Admittedly, it occurred only at infrequent times,
when mood and traffic betook one to a certain
far from rapid pace. More a sedate lollop. The
characteristic cropped up during London
driving and only then. At the higher revs that
were constantly used on the Norwich run the
vibration settled to a gentle zizz. unobtrusive
through the general concentration of briskish
riding, but never far from one's mind. The characteristic
had been abundantly present in Sondel's
XS-1 and one can but wonder that the factory,
so obviously knowing that the' machine shivered
somewhat, had not displayed their usual
cunning in overcoming the problem. Big
question to ask is how about vibration on the
newly announced 750 parellel twin? Can but keep
tingling limbs crossed. Could it be something
to do with using a 360° crank? Though we're
hardly qualified to start heated arguments about
the more subtle quirks of crankshaft, con rod
and piston balance, we do think that with Yamaha's
enviable reputation for smoothness on their
two stroke twins, they are not going to make
a fool of themselves over such (relative) basics
as balance factors. So, we would be fascinated
to know the cause of the XS-1 and 2's massive
vibes. Whatever the cause, the simple fact
remains that it is a nuisance, and for the most
part an obtrusive one. It must be overcome.
It can be overcome as, f'rinstance, the last
of the Enfield twins proved. (Of incidental
interest was the conversation I had with
an automotive engineer. A lot of balance problems
in the four leggedy world are thwarted by means
of a separate camshaft carrying nowt but counterbalancing
weights. Save for the obvious drawbacks of added
overall weight and bulk, there could be
a moral for us somewhere in there.)
The power unit itself follows a fairly well
worn path. The crankshaft runs on three
roller bearings, and on the far right side,
one ball bearing. Between the centre two flywheels
and for that matter the
centre bearings, lurks a small drive sprocket
for the overhead cam business. Transmission
to the top floor, then, is obviously by the
time honoured medium of a simplex chain,
tensioned twixt and behind the bores. And if
you should take a fancy to tearing the thing
apart, you'll be delighted to know that the
camchain is the endless variety. So wire
cutters and rivetters will be the order of the
day. Chain tension is maintained by an adjustable
spring loaded sprocket and, a little below that
on the tensioner arm, a rubber dam-pener. Across
the block from the tensioner is bolted a camchain
anti vibration dampener - a rubber buffer thing.
Nice touch to avoid those neat channels scooped
out of your alloy by a"frenzied, bowing
chain. There is, believe it or not, yet another
camchain vibration dampener in the upper
crankshaft half - this time pushing the
chain rearwards onto its mate below the tensioner
sprocket After all this, a rude letter is a
certainty if you nag at the factory for bevels.
Up in the penthouse the camshaft runs
at half engine speed, twiddling itself happily
on two pairs of single row bearing-one at either
end of the shaft. The shaft is interesting in
that the thing is hollow and running through
the centre is a rod, mounted on needle bearings
either end. Cause and effect is blissfully simple.
Right hand end of the camshaft is threaded to
take the (centrifugal) auto a/r unit, while
the rod, after being suitably a or r'd by the
unit, drives the twin contact breakers fitted
against, though not firmly fixed to, the left
end of the camshaft.
The remaining valve operation is orthodox ohc
practice: four individual rocker shafts
and rocker arms, valve clearance being adjustable
as per super usual at the valve end of the rocker
arm by means of a screw adjuster.
The slimy stuff is squirted around the engine
by a trochoid oil pump, driven from a crankshaft
mounted gear, just outside of the primary power
take off. From the pump, your priceless multigrade
is scurried up through a fine mesh filter and
thence, by routes devious but, to the external
eye, nice and clean, to mains, big ends, rocker
arms, transmission main shaft, clutch bearing
and the shift fork guide bar. The rest of the
house is kept in order by splash lubrication
to primary (straight cut) drive, crank, small
ends, the pistons and bores, and, finally, the
cam chain. One of the niceties of wet sump oiling
is the cleanliness of the whole thing. Well
- our's was respectable and upright until the
long beat over 250 miles to and from Norwich.
Then, and only then, did it wet itself - around
the cylinderbase/crankcase joint. N nothing
shaming or really me>v but not quite the
preposterously high standards of Japanese oil-
tightness had led us to expect. But then, as
always. Press machines do get the worst of it,
and Sondel's 'bike, in all fairness, even after
fairly hard usage was a gentleman to the end.
Having dispensed with rather tedious mechanical
low downs, how did the thing go? Torque is the
big Yam's password. Anywhere from as low as
1400 rpm the machine would haul happily away.
I doubt if the torque curve was completely flat
- things after all, became that much more exciting
after 4.5 or 5. A manic frenzy of mechanical
action - you knew it was all happening. It was
only during faster riding, with no effort
spared, that one kept to the higher rev range.
But in the normal call of things tweren't necessary.
The machine should have been set side to side
with an old English Bon-neville for the most
telling comparisons, but since I have yet
to have the pleasure of a thoughtfully fettled
old English big B, a Corn- mando had to suffice.
Yes - I know; another unfair comparison. But
. . . said friend of unlikely claims now possesses
one of these beasts, and through a short but
hurried chunter around town it was quite obvious
that, those 100 extra little ones taken into
account, the Yam was having to be treated very
roughly to keep pace. A gentle zip and a purr,
and the Norton was twenty-five yards ahead of
a gasping Yamaha at a standing start - traffic
lights to you. The mere difference in effort
was very apparent. But due to those blasted
and blasting silencers it was very Mickey Mouse
to extend the creature in town. Even we have
consciences. In the blissfully open and virtually
uninhabited countryside, though, the story was
different. Upward changes were made in the region
of six and a half. I don't remember exactly.
Despite loose fillings and rattling eyeballs
I was having a nice time. And the Yamaha, by
some odd psychological process, is a machine
one can enjoy quite a lot. At ninety you are
stationary -a vacuum in a world of hurtling
careering motion. White centre lines take on
a life of their own, shake themselves, and spit
forward like,,a snake tongue at the machine's
handlebars. Unravelling and unwinding,
stringing themselves out into the path of your
vision. Simple pleasures, but very worth while.
Mitsui had been experimenting with our particular
'bike. A very much harder oil swilled around
in the front forks. It bore no relation to the
XS-1 I had tried earlier. The XS-2 was hard,
rock hard. Rear suspension units on their softest
setting (the mind shrinks at the thought of
the hardest), the harder front forks and if
the vibration didn 't shake your brain loose.
road shocks would. The seat I found adequately
comfortable, but it was of no help. With the
cool intention of getting from point A to point
B and back again some 250 miles later, concentrating
hard, riding; briskly, such forms of mild discomfort
are scarcely going to implant themselves in
the very forefront of your mind. But in town,
and especially for a pillion, the situation
didn't quite become absolutely intolerable,
but it did spoil some of the joys of spring.
Later, when the machine was returned, I nosed
around after a ride on a standard strength forked
XS-2. Mitsui didn't have one at the time, but
there was a customer's machine standing near
(TOMMC no less - draw your own inferences)
whose front end was far, far softer. Being well
brought up, we could hardly just ride away on
someone else's pride and joy, but a vast difference
was apparent. That would leave you to do something
about the rear shocks (which incidentally have
now gone the way of all human flesh and are
featuring exposed springs). The previous model
carried nicely shrouded units. A pity - not
my most favourite (and a sadly universal)
styling trend.
Throughout the period that we ran the XS-2,
the gearbox (with all that torque are five speeds
a must?) did all that gearboxes should do -
quite admirably. The action was on the firm
side of a "knife through butter",
and those spine tinglers which did crop up,
of course in the most densly populated
corner of London, were the fault of over enthusiasm
rather than the mechanism. Only twice was the
thing the object of nasty words. On both occasions
the cause was not so much a reluc-tancy as a
flat determination not to pass through neutral
from second into bottom. Twice - and come hell
and high water we were left stamping, thumping,
prodding, and cajoling - with our necks aprickle
with hot, crimson embarrassment. And didn't
the car drivers love it. After five, perhaps
ten seconds the gear would slip in. full of
angelic smiles and innocence.
One or two grey hairs had been raised by lurid
stories surrounding the Yamaha's roadholding
capabilities or lack of them. I had expected
the worst, but never found it. Similarly to
Dave Min-ton's report on the earlier model,
my own experiences were of good and peculiar
being quite sharply divided by a certain speed.
In my case the dividing line approached at about
65 mph. Below that, while hardly the BMW or
Trident gleeful let's-see-just-how-far-down-we-can-get
confidence, roadholding was quite adequate.
Roundabouts and the like were, with a little
dedication, things of the footpegs. Long sweeps,
ignoring the jolting around from the rock-like
suspension, quite secure. But up on the All.
as 80 and above speeds were maintained without
trying all that .hard, the curves ..fcrought
about a sensation of being thrown wide - almost
of drifting. Reactionary that 1 am, I still
harbour doubts, which I think nowadays
are unfounded, of Japanese tyre mixes. Our particular
footwear was Nip Dunlops - ribbed on the
front, block K70 on the rear. This might have
been the cause, but I rather doubt it. No -
of steering geometry or engine placement
the greenies would be on the latter. Things,
of course, would be tidied up by the universal
Girlings and TTlOOs panacea, but even those
are not going to cure weight distribution with
too much emphasis on the rear. It's just one
of those feelings, with nothing concrete to
substantiate it, except instinct.
The twin Mikuni made Solex constant vacuum
carburettors can't be criticised in their delivery.
I suspect their adjustment was off song, though.
Our machine was removed from Mitsui without
the benefit of a checkover and hot from the
hands of another rag who 1 rather think rode
the beast hard. I am certainly at a loss to
explain our very low consumption figures
or the fairly drastic drop off in acceleration
after the mid 90s. The longest, longest straights
had to be found and then doubled up over before
the madly fluctuating speedometer needle would
waver into three figures. Highest speed attained,
and this indicated during one of the more flamboyant
leaps of the instrument, was 106. It was
but a flicker second's worth of 106 with the
revmeter dancing well before the red bits started.
Still - it's certain that with a little gentle
fettling and attention a newer machine would
keep its maximum steadily and easily up in the
106 mph range, and not a mere indicated 106
either, but a timed one. If we ever get the
chance to wrap sticky mils around another XS
we'll be hotfoot to write about the results.
On my way back that evening, through the cool
of the descending dusk, the lights were used
in earnest. And they are rather good lights
- the beam throwing a distinctly felt flutter
of warmth across your face at ten or twelve
paces. Against a wall at fifty yards the main
beam threw a well defined circular pattern which,
of all things, suffered a hole in the middle
- just like an ordinary hand torch, but with
the subtle difference that the Yamaha's
illumination was about three thousand times
brighter. Along the unlit main roads I was happy
in the upper 70s - more than sufficient in other
words.
Learned discussions carry on into the wee small
hours as to the Yamaha's merits back to back,
pistols for two, coffee for one, against the
Bonneville. And, of course, virtually any 650
four-stroke parallel twin is considered "traditional"
nowadays. Until Triumph cough up with the latest
Bonnie it would be foolish to form any personal
judgement on my behalf. But I do suspect that
until the Japanese factory have rid the machine
of its vibration - reputedly worse than
that of the T120 or the Beesa twins - as well
as bringing the roadholding up to acceptable
British standards, customers may well be
found erring on the side of the known quantity.
Which could be a pity. Yamaha have the basis
of a very competitive sales package in
the XS-2; neat, for the most part oiltight,
and, one imagines, as reliable as most Japanese
bicycles - which is saying a lot. Perhaps their
hearts aren't in the 650, all eggs going to
the 750 basket. Time alone will tell.
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